Profil użytkownika jessica-kiang
A Single Shot (2013)
A Single Shot does not add up to anywhere near the sum of its parts.
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We Are What We Are (2013)
We Are What We Are is just a great yarn, well-acted, elegantly shot and put together cleverly so that even its more visceral delights feel well-earned.
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Harry Dean Stanton: Partly Fiction (2012)
An enigmatic and perhaps occasionally overly deferential documentary about one of the all-time great character actors, Sophie Huber’s Harry Dean Stanton: Partly Fiction, is slow out of th...
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Lovelace (2013)
Despite Seyfried’s gameness, we come away a little deadened from the experience and knowing precious little more than before about the person who inhabited the body, the life and the thro...
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Grabbers (2012)
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There are occasional laugh-out-loud moments, for sure, and the winningness of the leads makes the inevitable climactic clinch actually rather affecting, but Grabbers could have been so mu...
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Only God Forgives (2013)
Refn has consistently delivered films that have subverted our expectations, and has proven himself a master at stylistic self-reinvention, but this feels like the first time he’s gone bac...
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The Attack (2012)
On both a political and a personal level, the film is pessimistic, yes, but it feels truthful, and never lapses into easy cynicism.
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Kon-Tiki (2012)
There is little more to Kon-Tiki than a fun, handsomely-mounted, old-style adventure story. And as impressive a feat as that is to achieve, especially outside of Hollywood, which kind of ...
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The Croods (2013)
Though it's impressive in many technical and surface ways, The Croods lets us down on the essentials of character and story, and no amount of late-stage father/daughter bonding or vertigi...
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Caesar Must Die (2012)
The film is undeniably moving at times, and there are moments of metatextual elegance that feel as though they tremble on the brink of genuine insight.
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